Information Age: Visualizing Museum Data

Workshop
Christian Marc Schmidt, Schema Design, LLC, USA

The rise of data is disrupting the core of our society, impacting us deeply as both individuals and members of communities. The arts, and more broadly, all manner of cultural production, provide ways for society to process change. One particularly poignant example is the Italian futurist movement, which preceded the Bauhaus and modernism in its celebration of technology and the machine at the height of the industrial era. A more recent example is net art, an art form leveraging the web as a distribution channel and a response to the proliferation of the Internet. Poised as we are today at the dawn of the information era, we are witnessing the coalescence of another movement — data art.

The first part of this workshop will examine recent examples of data art through the themes of Data as Narrative, Data as Mirror, Data as Truth, Data as Equalizer and Data as Interface, focusing on the use of data to generate new forms of creativity and critique. Despite the issues that data presents, many of the examples represent the unexpected moments of humanity that arise from quantification.

In the second part of this workshop we will look at how a museum’s collection can be visualized in an artful, engaging manner using the themes from the first part. We will use Processing, a powerful and open-source tool, to create a data visualization using the Getty’s Linked Open Data project. This demo will show how quantification and the humanities can live side by side, and how the production of data itself can be a creative act. No prior experience of programming is required. It is recommended that participants bring laptops to code along, and that they download Processing in advance of the session (processing.org).

Bibliography:
Data Culture (Christian Marc Schmidt, ARCADE Magazine), article examining how data is infiltrating culture and becoming the subject of artistic practices. (https://drive.google.com/folderview?id=0B2jnd-3XEz4Gfl9OS2xUZllld0oyUGVTMlpISlFobHBmMHpWbmh3OWdsVFEtNzF2VW9xcmM&usp=sharing)

From Paint to Pixels (Jacoba Urist, Atlantic Magazine), outlines how artists are using data from self-tracking apps in their work,
Processing.org: The Processing website has extensive case studies and programming resources.

SF MOMA ArtScope (http://www.sfmoma.org/projects/artscope/), an effective visualization of the SF MOMA’s collection

The Cooper Hewitt Collection Database (https://collection.cooperhewitt.org/), allows browsing the collection via facets like color and topic.

Big Bang Data (bigbangdata.cccb.org/en/), traveling exhibition by the Centre de Cultura Contemporània De Barcelona (CCCB) using various projects to explore the recent emergence of the database as a socio-political framework. The result is a visual essay "that raises new questions and provides directions for additional research in the field of cultural analytics, data visualization, and the study of societies awash in data."